Camille Crittenden in Brahms in Context

05 Aug, 2019

Camille Crittenden in Brahms in Context

Camille Crittenden's chapter on Vienna appears in Part 1: Personality, People and Places of Brahms in Context (Cambridge University Press, 2019), edited by Natasha Loges, and Katy Hamilton. The book appears in the series, Composers in Context, which focuses on those aspects of a composer's life and times that form the context for his or her creative work. Volumes are structured thematically, and cover topics including educational and cultural influences, social and professional networks, developments in performance practice, technology, business and politics, and critical reception.

From the summary:

Brahms arrived in Vienna as an ambitious young musician, settled there in his early thirties and remained for the rest of his life. His flourishing career mirrored the dramatic transformation of the Habsburg Empire and its vibrant capital city during this period. Recent studies about creativity illuminate the historical, geographic and demographic circumstances that converged in late nineteenth-century Vienna to forge its special character. This chapter will explore the city where Brahms spent his most productive and influential decades, highlighting the unique opportunities the city and its intellectual elite provided to stimulate his greatest creative accomplishments.

Long an important crossroads of Europe, Vienna in the last half of the nineteenth century evolved rapidly as an urban metropolis and musical capital. Its population swelled nearly fourfold between 1857 and 1900, largely due to in-migration from farther reaches of the Habsburg Empire.

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