When Neil Armstrong and Buzz Aldrin stepped onto the lunar surface in July of 1969, they wore spacesuits made by Playtex: twenty-one layers of fabric, each with a distinct yet interrelated function, custom-sewn for them by seamstresses whose usual work was fashioning bras and girdles. This talk is the story of those spacesuits. It is a story of the Playtex Corporationâs triumph over the military-industrial complexâa victory of elegant softness over engineered hardness, of adaptation over cybernetics.
The lecture touches on, amongst other things, eighteenth-century androids, Christian Diorâs New Look, Atlas missiles, cybernetics and cyborgs, latex, JFKâs carefully cultivated image, the CBS lunar broadcast soundstage, NASAâs Mission Control, and the applications of Apollo-style engineering to city planning. The twenty-one-layer spacesuit, de Monchaux argues, offers an object lesson. It tells us about redundancy and interdependence and about the distinctions between natural and man-made complexity; it teaches us to know the virtues of adaptation and to see the future as a set of possibilities rather than a scripted scenario.
Nicholas de Monchaux is an architect and urbanist focused on issues of nature, technology, and the city. He received his B.A. in 1995, with distinction in Architecture, from Yale University, and his Professional Degree (M.Arch.) from Princeton University in 1999. He has worked as a designer in noted architectural practices, including Michael Hopkins & Partners in London, and, until 2001, Diller + Scofidio in New York. From 2001-2006 he was Assistant Professor of Architecture at the University of Virginia. Since 2006, he has been Assistant Professor of Architecture and Urban Design at Berkeley.
The ATC series is produced by the Berkeley Center for New Media (BCNM) with support from CITRIS, and the Berkeley Art Museum/Pacific Film Archive.